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(More customer reviews)What an amazingly passionate and soundly researched account into forro music and Brazilian culture! It is extremely enlightening to examine the author's firsthand experience with forro music and its movement within Brazil. I can't wait to receive my copy! Wonderful work!
Click Here to see more reviews about: Forró and Redemptive Regionalism from the Brazilian Northeast (Latin America: Interdisciplinary Studies)
For the many poor and working-class Northeastern Brazilians who have been displaced from their home region for economic reasons, the music of forró is a redemptive attempt at establishing an immanent relationship to history and community in the diaspora. The redemption explored in this book is multifaceted, including a desire to return home as part of a larger workforce in a sustainable economy, the desire to see the regions rich culture celebrated throughout Brazil, and to ensure that its traditional legacies are both preserved and further enriched through respectful innovation. The acute perceptiveness of forró musicians in portraying the diasporic experience of Northeastern Brazilians is elaborated in various chapters, including: one chapter focused on lyrical, musical, and collective representations or manifestations of diasporic nostalgia (saudade), another chapter analyzing the lyrico-musical representation of rural workers alienation from—and resistance to&mdashlife in the urban centers, and a third chapter which contextualizes forrós descriptions of the experiences of Brazils internal migrants, utilizing an array of testimonials and academic studies on the subject of interregional migration to reveal both the wisdom of forràlyricists and some of their blind spots. The study also includes a historical analysis of this Northeastern genres transformation from a rhythm called baião that symbolically represented the Northeast as a simple, coherent entity, to forró, a more allegorical representation with a greater appreciation for the class, gender, racial, and generational complexity of the region. The development of the genre, as well as the circulation of theory related to cultural production and identity, are contextualized in a global economy.
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