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(More customer reviews)In a series of interviews between 1971 and 1993 Gussow (longtime _New York Times_ drama critic, who also coaxed a fascinating set of comments from Tom Stoppard) got Pinter to talk about how he works. Pinter refuses to comment on what his work "means," but is eager to clear the air about misperceptions about himself (such as being in a chronic state of outrage). Pinter comes across as generous as well as politically committed, suspicious of audiences, but grateful to (fellow) actors. And he clearly has a sense of humor (too rarely appreciated in his plays).
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