Frog Went A-Courtin' Review

Frog Went A-Courtin'
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The time was when the song Frog Went A-Courtin' (or as I remember it Froggie Went A-Courtin') was known to every man woman and child in the continental United States. Today, this is not the case. The story of the frog dandy and his lovely rodent bride is no longer sung half so much as it once was. What is to blame for this strange turn of fortune? Interspecies dating fears? A loathsome repugnance to frog songs? I have no idea. Just the same, it's a delight to think that books like the 1956 Caldecott winning "Frog Went A-Courtin'" can carry on the song's tradition, regardless of how often it is sung today.
In a respectful author's note at the beginning, writer John Langstaff explains the origins of the song. Transposed from Scotland to America (there's a wonderful picture of a small yellow frog jumping from one bank entitled "Scotland" to another bank entitled "America" accompanying the explanation) the song has changed and grown over the course of many many years. Langstaff is quick to give credit where credit is due. Says he, "Sometimes the grownups might forget some of the words, and the children would make up words they liked better, and put them in the song". As a result, Langstaff credits the song to the hundreds of adults and children that passed it on to one another. His version is a combination of these, and perhaps the best possible. The narration is smooth and the lyrics scan perfectly. All in all, an enjoyable tale.
The illustrations are really what make this tale top notch. Artist Feodor Rojankovsky paired with Langstaff on a number of different picture books over the years. In this story, every scene is well thought out and delicate. The details are brought fully to life through Rojankovsky's adept inks and colored pencils. The froggy wears shiny black boots with spurs, flipper shaped for his comfort. Bugs and beetles wear the latest 1955 fashions and gleam blue-black against their surroundings. Totally aside from the beauty of the illustrations is the fact that every animal in this book is perfectly presented. You have little doubt that Rojankovsky spent much of his time discovering exactly how many legs a bumblebee has so that he could draw one playing the banjo [just] right. In a lovely parting shot the mouse and the frog are on a steamer headed for a honeymoon in France. Froggie has doffed a beret and the two are reclining on the deck, happy as you please. The book is endlessly charming and entirely too wonderful to ever be forgotten. Do yourself a favor immediately and locate yourself a copy tout de suite.

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"A favorite old nursery ballad now appears in resplendent new dress. . . . Illustrator Feodor Rojankovsky somehow manages to combine quaintness with sophistication and his doughty frog, the coy mouse . . . and others make charming company."--The New York Times Book Review

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