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(More customer reviews)Perhaps the greatest blow to the music theater (after the early death of George Gershwin) has been the break-up of the songwriting team of Jerry Bock and Sheldon Harnick in 1970. This book delves exhaustively into their professional careers (both together and apart) and Lambert's lists of songs, recordings, shows and other career highlights in the back of the book are extraordinarily detailed and invaluable. Lambert clearly knows a lot about music, but his knowledge of musical theater seems to come more from research than from personal experience (he calls cast albums "soundtracks") and there are a few minor errors when his source material is inaccurate or wrong, but overall the book is quite reliable. The chapter notes indicate a tremendous number and variety of sources including personal input from both Harnick and Bock (there are even attributed quotes from my own 2002 online interview with Harnick!). It's unlikely we will ever see a more thorough career portrait of these two brilliant talents, so I recommend the book highly to anyone with even the slightest interest in the musical theater or the craft of songwriting.
Click Here to see more reviews about: To Broadway, To Life: The Musical Theater of Bock and Harnick (Broadway Legacies)
In fourteen years of collaboration, composer Jerry Bock and lyricist Sheldon Harnick wrote seven of Broadway's most beloved and memorable musicals together, most famously Fiddler on the Roof (1964), but also the enduring audience favorite She Loves Me (1963), and the Pulitzer-Prize-winning Fiorello! (1959). With their charm, humor, and boundless musical invention, their musicals have won eighteen Tony Awards and continue to capture the imaginations of millions around the world. To Broadway, To Life!: The Musical Theater of Bock and Harnick is the first complete book about these creative figures, one of Broadway's most important songwriting teams. Drawing from extensive archival sources, and from personal interviews and communications with Bock and Harnick themselves and their most important collaborators, author Philip Lambert explores the essence of a Bock-Harnick show-how it is put together, and what makes it work. The book includes discussion of songs such as "Sunrise, Sunset" and "If I Were a Rich Man" that have long been favorites in the public consciousness, and it also explores a vast catalogue of lesser-known songs from their many other shows and works, including a musical puppet show on Broadway, music for the 1964 World's Fair, and a made-for-television musical. Here too is the first look at the little-known youthful professional beginnings of Bock and Harnick in revues and television shows and summer retreats in the 1950s, and the careers they have forged for themselves with new collaborators in the decades since their partnership dissolved in 1970.The musicals of Bock and Harnick came at a transitional time in Broadway history, when the traditions of Rodgers and Hammerstein were starting to give way to the concept musical, the rock musical, and eventually the mega-musical. To Broadway, To Life! combines exhaustive research, close musical investigation, and interpretive critical analysis to place Bock and Harnick in the context of these times, and helps establish their place in the history of the American musical theater.
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