Average Reviews:
(More customer reviews)For what it does, this is an excellent study. Who else would take the time to document in utmost metronomic detail the subtle shifts of tempo in a wide variety of compositions, performed by an extremely varied group of performers so that we can now have a 'performance practice' of early 20th century performers instead of just that of the 16th-18th centuries and earlier?
This book will give back-up to those present day performers who recognize the need for extricating concepts of tempo from the limitations of the late 20th century which Philip discusses in this book and for re-creating in modern interpretations the tempo rubato taken for granted in the late 19th century, to say nothing of earlier centuries.
The reader certainly does not have to agree with all his conclusions to recognize that Philip has done his chosen task very, very well indeed.
Click Here to see more reviews about: Early Recordings and Musical Style: Changing Tastes in Instrumental Performance, 1900-1950
Until recently, early recordings were regarded as little more than old-fashioned curiosities by musicians. Scholars and musicians now are beginning to realise their importance as historical documents which preserve the performance of composers and the musicians with whom they worked. In this fascinating study, Robert Philip argues that recordings of the early twentieth-century provide an important and hitherto neglected resource in the history of musical performance. The book concentrates on aspects of performance which underwent the greatest change in the early twentieth century, including rhythm, rubato, vibrato, and portamento. The final chapters explore some of the implications of these changes, both for the study of earlier periods and for the understanding of our own attitudes to the music of the past.
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