Broadway Babies Say Goodnight: Musicals Then and Now Review

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(More customer reviews)It's usually quite lonely being a political conservative as I am, and also a devotee of Broadway musicals since for such a long time even in its now seemingly more "conservative" days of the tradtional book musical, Broadway was always the domain of men who possessed very poltically left wing points of view. But during the heyday of Broadway's golden age, liberals like Lerner and Loewe, Rodgers And Hammerstein etc. knew that their audiences were comprised of diverse viewpoints and hence strove first to just entertain with a minimum of social commentary (when Lerner in his advancing years succumbed to the desire to be pretentious, the results, "1600 Pennsylvania Avenue" and "Dance A Little Closer" ended up disappearing in a week and are now deservedly forgotten).Such is not the case with today's Broadway where not only are all new musicals and plays usually loaded with radical left wing social commentary but even the musical revivals are subject to PC rewrites to satisfy today's narrow audience of those on the far left (case in point, the tamperings in "Damn Yankees" which this book comments on, concerning the tacky aside about J. Edgar Hoover which doesn't work in the musical's book and is the biggest exercise of self-indulgence so typical of the arrogant left wing mindset that dominates today's theater).
As such, it is a wonderful breath of fresh air to find this book by Mark Steyn, a theater critic who happens to be a political conservative, offering a good deal of telling insights as to why Broadway has largely lost its way the last couple decades, though it is very unfair and typical of the left-wing arrogance of some of the writers below that all of his criticisms are rooted in his ideology. To blast today's musicals on their inability to provide a good integrated score and book, as well as good songs is the kind of criticism that a liberal like Richard Rodgers, who walked out of "Hair" after Act One, would have no problem with. (Indeed, apart from "Memory" when was the last time a Broadway song made into the standard repertoire of American popular music?) Steyn proves to be provacative at times, and also very funny as well on a number of occasions that you have to applaud his brilliance even if you don't end up agreeing with him all the time. His chapter on Stephen Sondheim is priceless, showing the strange contradiction of how the works of Sondheim that are so timeless in their appeal ("West Side Story" and "Gypsy") are the ones that are put down the most by his most die-hard fans in favor of his forgettable flops.
One other note to MssOtis@aol.com who likes to use the term "McCarthyism" with the same reckless abandon so typical of the militant left, yet like so many of its members does so in total ignorance of the actual events that spawned the term. One, Senator McCarthy didn't send anyone to jail, and two he had nothing to do with the investigation of Hollywood Communists (all of whom went to jail for the very real crime of contempt of Congress, not their poltical beliefs and the fact that they were leftists or in some cases committed Stalin bootlickers). "McCarthyism" is a term which in its proper context refers to unproved or reckless accusations against someone with the intent to damage or smear merely beacuse of one's political associations. It has nothing to do with sending people to jail for their beliefs. And in its proper context, MssOtis@aol.com by smearing Mark Steyn because he is a conservative who writes for the American Spectator on occasion, is the true practitioner of "McCarthyism" in the end.

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