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(More customer reviews)This is one of the most detailed general discographies ever published. The author lists orchestral music recorded before 1926 by composer, establishing the authoritative title of the work, the precise identification of the performers, the recording date, issue date, original 78rpm issue numbers, and all LP and CD reissues (the last in footnotes). This is so much more than copying catalogue data. The information is authentic, the result of many years of research, not only by the author, but in consultation with a broad range of experts who have assisted. The format is readible. The author has left no stone unturned.
Click Here to see more reviews about: The Orchestra on Record, 1896-1926: An Encyclopedia of Orchestral Recordings Made by the Acoustical Process (Discographies)
In the history of sound recording, the years from 1896 to 1926 mark the transformation of a carnival toy into a serious means of musical reproduction. This work documents for the first time an index of this transformation: the expansion of the repertoire from the marches and potpourris of the 1890s to the symphonic recordings of the late acoustical period. The data assembled bring together and organize materials that have lain scattered in archives, private collections, catalogues, trade journals, and in the research of more than three dozen discographers to provide as complete a survey of classical and light classical orchestral music recorded acoustically on cylinders and discs as sources allow. In this work, band records are excluded (except in the case of works originally written for winds). Where it is known and where it is pertinent to the recordings, biographical information about conductors and historical information about orchestras are added, as are all available discographic data, including reissues. The work is fully indexed. Of interest to historians and students, private collectors, archivists, and discographers.
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