Nicolai Gedda: My Life and Art (Opera Biographies (Amadeus)) Review

Nicolai Gedda: My Life and Art (Opera Biographies (Amadeus))
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After reading one of the reviews I wasn't so sure about this book; after all, I have been an great admirer of Nicolai Gedda since first hearing him at the Metropolitan in 1962 and I found it hard to imagine him as "petulant". I decided to take a chance on this book and I was very impressed by the truthfulness that Mr. Gedda has: unless you have been yourself a victim of psychological and emotional abuse it is very easy to state that the person is petty on past wrongs. That does not apply in Mr. Gedda's case at all: it seems like this biography is a form of journelling for him and he has finally been able to let go emotionally of the years of pent-up distress he suffered from the abuse in his family.....something NONE of the loyal fans that we were backstage at the Met had any clue about. Also, the book is very imformative as to his technique and opinions on literature: discography a little sketchy....I highly recommend this book: it must have hurt him to reveal all the suffering he went through, but he released his torment by doing that....and thanks to Aino, Nicolai Gedda has finally found the happiness he deserves, after giving all of us the pleasure of hearing him sing (through years of his inner struggles): read the book--it's worth it!

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This autobiography is the first full-length book in English on Nicolai Gedda, born in Sweden in 1925 but deeply influenced by his Russian-born stepfather, himself a singer with a renowned Russian emigre choir. A leading tenor throughout the latter half of the 20th century, Gedda is acclaimed both for the beauty of his voice and the rare intelligence with which he uses it; he is perhaps the most versatile of tenors, equally at home in opera and song, and the master of nine languages and a wide range of musical styles. These memoirs, written in collaboration with his wife, comment frankly on the events of his life and on the international music scene, revealing both his serious devotion to his art and his indifference to fame and celebrity. HARDCOVER.

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