Creepy Crawly Calypso (Book & CD) Review

Creepy Crawly Calypso (Book and CD)
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I have not used this book with its CD at school yet but am looking forward to sharing it with my class. I bought this book as it seemed to be a good companion to have with The Farmyard Jamboree which I had already ordered from Amazon.com. My young class love music so it is good to have such excellent books to share with them and let them see what a range of musical instrumments are around. When I was a child I remember listening to Peter and the Wolf and learning to distinguish the different classical instrument's sounds, and it always remained with me as my first real introduction to the instruments of a classical orchestra. This book/CD does the same with jazz instruments as well as using a range of interesting insects into the bargain.

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Dem Bones (Viking Kestrel Picture Books) Review

Dem Bones (Viking Kestrel Picture Books)
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I homeschool my elementary age children and we used this book when studying our body. It is a fun book to read and the information provided about each of the bones is suitable for elementary age level.

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The Best American Short Plays 2007-2008 Review

The Best American Short Plays 2007-2008
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This is a fantastic collection of the best one-act plays from very talented and expressive American playwrights. Highlights include Joe Maruzzo's wonderfully poignant "Bricklayers Poet," the witty and vulnerable "The Perfect Relationship" by Jill Elaine Hughes, and Cary Pepper's challenging and confrontational "House of the Holy Moment." As good as all the plays are, the very best is Jay Huling's bombastic and laugh-out-loud funny "Elvis of Nazareth." Huling places his Elvis Presley in a biblical fantasy that manages to show both reverence and near-blasphamy in almost the same breath. Other impressive playwrights in this work include Murray Schisgal, who wrote the screenplay for the motion picture "Tootsie," Theodore Mann, who co-founded New York's famous Circle in the Square Theatre, and the often-produced and multi-award winning Laura Shaine. All of these plays -- from Jay Huling's "Elvis of Nazareth" to Jeni Mahoney's very witty "Light" would make an excellent evening of theatre that would entertain and inspire audiences. At the very least, it's an enjoyable and easy read.

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Applause is proud to continue the series that for over 60 years has been the standard of excellence for one-act plays in America. Our editor Barbara Parisi has selected the following 14 plays: A Roz by Any Other Name and Weird, by B. T. Ryback; Bricklayers Poet, by Joe Maruzzo; Laundry and Lies, by Adam Kraar; Light, by Jeni Mahoney; House of the Holy Moment, by Cary Pepper; The Disruptive, Discursive Delusions of Donald, by Michael Roderick; The Perfect Relationship, by Jill Elaine Hughes; The Hysterical Misogynist, by Murray Schisgal; The Perfect Medium, by Eileen Fischer; Outsourced, by Laura Shaine Cunningham; Elvis of Nazareth, by Jay Huling; Dead Trees, by Rick Pulos; Five Story Walkup, by Daniel Gallant, including his own play and others by John Guare, Neil LaBute, Quincy Long, Laura Shaine Cunningham, Clay McLeod Chapman, and Daniel Frederick Levin; and G.C., by Theodore Mann.

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Straightedge Youth: Complexity and Contradictions of a Subculture Review

Straightedge Youth: Complexity and Contradictions of a Subculture
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After wondering for ten years when academia was going to get around to examining straight edge, I was pleasantly surprised to see not one, but two books on the subculture published last year (the other is Ross Haenfler's "Straight Edge"). Wood's study is based on interviews, content analysis of lyrics, and semiotic analysis of symbols, and reads like a good dissertation. It's deeply rooted in subcultural theory, and the central thesis is that straight edge is a such a dynamic subculture that no one flavor of subcultural theory (such as interactionist, Birmingham, etc.) can explain it on its own, but rather that a whole array of tools and theories need to be applied to it.
This is all relatively clearly explained -- for an academic work -- but the examination of identity formation is unlikely to be that fascinating to a general reader who knows little or nothing about straight edge. Personally, I got into straight edge around 1987 and remain so, and the study told me little I wasn't already explicitly or implicitly aware of. The focus of the work is straight edge's constant revisioning, from its birth as an offshoot of punk, to the addition of vegetarian and animal rights, the emergence of "hardline", and even Satanic elements (This satanic linkage was one area that was totally new to me. The other part that gave me something new to think about was Woods' assertion that the Reagan-era "War on Drugs" provided latent cultural support for straight edge. He's very careful to distance himself from any cause and effect pronouncements, but it's a linkage that nonetheless strikes me as more coincidental than anything.)Along the way, the reader gets a concise history of the subculture, along with a selection of quotes from key figures. These are especially useful in the section describing the transition of many straight edge kids into Krishna Consciousness.
On the whole, this is nice volume in subcultural studies using straight edge as a case study, but unlikely to that useful to those seeking a detailed sense of the history or demographics of straight edge. There are lots of questions that aren't addressed: for example, why is straight edge primarily a white middle class male subculture. Why (and how) has it gained a strong presence is some countries (Germany, Japan, and Norway for example), but not others? What are the factors that lead to people "claiming" or "unclaiming" the subculture? How do extreme applications of the subculture, such as the Salt Lake City crew, come about? How do some bands become associated with straight edge even if they aren't? Hopefully Wood will go on to address these more complex aspects of straight edge as he continues his academic career.

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A comprehensive examination of the history and social dynamics of straightedge youth through the rich diversity of this punk influenced subculture.Emerging out of the American punk rock scene of the early 1980s, straightedge youth have held their ground and made important inroads on the broader terrain of American youth culture for the last twenty-five years. Known primarily for their militant opposition to drinking, drug use, and casual sex, as well as for their commitment to vegetarian and vegan lifestyles, straightedge youth have received little scholarly attention, and then primarily through studies focused on the larger subcultural framework of punk rock. Robert T. Wood presents the first theoretical and in-depth treatment of the straightedge culture.Drawing on interviews with founding members and current straightedge youth, content analysis of the music lyrics, and straightedge "zines," Wood places the movement within the context of contemporary subcultural theory and the framework of cultural studies.Identifying straightedge as a movement whose cultural boundaries have transformed over time, Wood explores the ways in which the group members' diverse and often contradictory self-understanding has contributed to the movement's evolution. Wood details the complexities of the subculture from its origins in Washington, D.C., through the emergence of schismatic straightedge factions and the adoption of animal rights and vegetarian agendas. This book offers an excellent introduction for those interested in the sociology of punk rock and its subcultures and will be an invaluable resource for sociologists and straightedge adherents.

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Theatre World Volume 57 - 2000-2001: Special Tony Honor Edition Hardcover (John Willis Theatre World) Review

Theatre World Volume 57 - 2000-2001: Special Tony  Honor Edition Hardcover (John Willis Theatre World)
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What Broadway show, in the 2000-2001 season closed after only thirteen performances? How many shows, put together at huge expense lasted only 60-70-80 days? Indeed how many of the 29 Broadway shows that opened that season can you even name, yes, twenty nine? What was going on Off-Broadway, or Off-Off-Broadway, or the professional regional companies? Who got awards, who debuted, who died?
This book is almost an encyclopedia of what happened anywhere in the season. Mr. Willis is editor, Ben Hodges is associate editor of Theater World. They have collected this unbelievable amount of information and published it as a reference book that tells the whole story of Broadway for this year. It is easily the most complete reference book available, and a fitting tribute to the Broadway season.

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Highlights of this new Theatre World, now in its 57th year, include The Producers with Matthew Broderick and Nathan Lane, One Flew Over the Cuckoo's Nest with Gary Sinise, Judgment at Nuremberg with Maximillian Schell, Design for Living with Alan Cumming, 42nd Street, A Class Act and Lily Tomlin's The Search for Signs of Intelligent Life in the Universe. During the 2000-2001 season, Theatre World was awarded with a Special Tony Honor for Excellence in the Theatre. Theatre World, the statistical and pictorial record of the Broadway and Off-Broadway season, touring companies and professional regional companies throughout the United States, is a classic in its field. The book is complete with cast listings, replacements, producers, directors, authors, composers, opening and closing dates, song titles and much, much more. There are special sections with autobiographical data, obituary information and major drama awards. New features to this edition include: an introduction by editor John Willis; separate Off-Broadway and Off-Off Broadway sections; new Longest Runs listing; and an expanded Awards and Regionals section."Nothing brings back a theatrical season better, or holds on to it more lovingly, than John Willis' Theatre World." - Harry Haun, Playbill

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The Seven Basic Plots: Why We Tell Stories Review

The Seven Basic Plots: Why We Tell Stories
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and so inefficient. Truly I felt that underneath this persnickety and overwrought tome of literary archetypes and movements lies a slimmer, more cogent and helpful book screaming to be let out.
The problem is not really apparent with the book's first half, in which Booker analyzes his seven different kinds of plot themes and finds some wonderful coincidences between, say, our commercial culture and long-banished civilizations. (Dr. No and the Gilgamesh both feature solitary heroes going to the far side of the world to vanquish fearsome and bizarre monsters.)
As far as that goes, the book is useful and will painlessly teach genre studies and even a bit of comparative literature to the eager reader. The problem comes about halfway through the book when Booker, who appears eager to stamp out not only interpretations of books but discussion of books themselves that don't fit his seven-fold structure, condemns so much of modern literature as "romanticism." Well, writers as diverse as Victor Hugo, Ayn Rand and E.T.A. Hoffman have all proudly described themselves as "romantic," and even that unwieldy tent under which to house those disparate authors is more helpful than Booker's cant, who damns the "romantic" canon as distracting literature (and its readers, of course) from its real purpose; i.e., to fit his seven-fold canon.
Not only is the argument circular, it is absurd. It is like saying that candles provide the best and most consistent indoor illumination, because that damned "electricity" isn't really a form of illumination, because . . . well, just because it isn't. In this case what started out to be a purposeful and useful argument turns into a circular begging of the issues and, for a moral Aristotelian, a singularly unsympathetic ways to limn out a canon, based on one man's experience, or should I say OPINIONS?
There are many, many books that have to do with the construction of a novel and its many themes. I think offhand of E.M. Forster's ASPECTS OF THE NOVEL; of course there are tons others. Despite its initial promise, this book, I think, is best left alone unless the reader cares to spend 600-ish pages at first reinforcing, then undermining his/her knowledge of what makes a novel tick.


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Leonard Warren - American Baritone (Hardcover) (Opera Biography) Review

Leonard Warren - American Baritone (Hardcover) (Opera Biography)
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Leonard Warren was certainly one of America's greatest singers, ranking only after Merrill & Tibbett when it comes to baritones. In the 40 years since his death on stage at the Met during a performance of LA FORZA DEL DESTINO this is the first full-length biography devoted to him. Unfortunately, he deserves better. Much better.
After having read other books by the author, I was surprised at the ill-flowing, disjointed narrative here. She relies far too much on family recollections instead of objectivity. She repeats the story of Jan Peerce's anger at Warren's cobersion to Catholicism far too often as well as relying on Warren's sister. The recollections of fellow artists are few, of little importance, and were made mostly in conjunction with articles written decades ago. Except for some anonymous recording sessions in 1940, early in Warren's career, there is nothing about later sessions when he made his complete operas. Did he just show up, sing, and go home? Usually there are interesting stories to repeat (they could have at least borrowed Culshaw's about the GIOCONDA sessions). Likewise, there is no comment on why Warren was used only once by Toscanini. Did something happen? Were Valdengo or Merrill easier to work with than Warren? The author is silent. She also spends an inordinate amount of paper and ink huffily asking why Warren didn't progress faster to stardom at the Met - then answers he own questions by telling about other (and far more seasoned) artists like Tibbett & Bonelli, both of whom had senority over the newcomer Warren.
The index is worthless since there are no references to any of Warren's roles or even an entry for "Warren, Leonard." Are researchers expected to plow through this badly-written book for themselves?
The discography is also poorly organized and touts commercial releases plus those sponsored by the Warren Foundation, a release of VAI from the 1940 sessions and their own 2-CD set. Other issues, especially a superb 2-CD set on Romophone or a competing CD of the 1940 sessions on Minerva, are ignored or merely mentioned in passing.
By the way, anyone interested in the 2-CD Warren Foundation set might first look on their shelves. Except for 4 tracks, everything is already available elsewhere. They missed an excellent chance to use live material.
It may be a long time before we get anotehr Warren biography but this one isn't worth the time or effort.

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Listening to Classic American Popular Songs Review

Listening to Classic American Popular Songs
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This truly remarkable book is unique in several important ways. In the first instance it deals with the music and lyrics of these extraordinary songs in ways that reflect the author's extensive experience as a musician and as a writer on musical subjects, drawing upon his eclectic background to present fresh ideas that illuminate and inform. In the words of Henry Martin, jazz authority and expert on popular music of the golden era: "In this highly accessible book, Allen Forte delights us with unique, thought-provoking insights into some of the great songs from the '20s, '30s, and '40s."
The book comes fully equipped to provide the reader with everything needed to acquire a very close familiarity with the major attributes of this beautiful repertoire of popular song, including simple musical notation or "lead sheets" of all the songs (a basic knowledge of music notation is needed, and Chapter 1 fills that gap, if required), perceptive discussions of lyrics as they relate to the melodies, harmonies, and rhythms of the songs, and, as a special and unique innovation, a compact disc that provides the reader with easy access to the music. Moreover, background material places each song in its historical-social context. Implicitly, for each song, the author answers the question: "Why has this song withstood the test of time to become a classic?"
The writing style is informal, bright, and often humorous, without in any way "writing down" to the audience. It is a pleasure to read. The text and the accompanying compact disc, which includes recordings especially made for this volume, are beautifully matched. And the performances by baritone Richard Lalli and pianist Gary Chapman are superb. On two of the tracks we also hear the author as arranger and pianist, testifying to his close connection to this music as a performer.
Accessible, intelligent, and highly enjoyable, this book and recording will make delightful additions to the libraries of a broad range of readers/listeners -- from those who are already familiar with this repertoire and who seek an enriched understanding of the songs and their contexts, to those who may be hearing and learning of these alluring works for the very first time.

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In the twenties, thirties, and forties, now-legendary American songwriters and lyricists created a repertoire of popular songs, songs that have captured the hearts of generations of music lovers. George Gershwin, Richard Rodgers, Cole Porter, Jerome Kern, Harold Arlen, Hoagy Carmichael and many others, along with such lyricists as Ira Gershwin, Lorenz Hart, and Dorothy Fields, produced extraordinary songs of signal importance to the American musical heritage. In this book Allen Forte shares his love of American popular song. He discusses in detail twenty-three songs, ranging from Gershwin's "Fascinating Rhythm" (1924) to Irving Berlin's "Steppin' Out with My Baby" (1947), guiding readers and listeners toward a deeper appreciation of this vital and engaging music.Forte writes for the general reader, assuming no background other than a familiarity with basic music notation. Each song is discussed individually and includes complete lyrics and simple leadsheet notation. Forte discusses the songs' distinctive musical features and their sophisticated, often touching and witty lyrics. Readers can follow the music while they listen to the accompanying compact disc, which was specially recorded for this volume by baritone Richard Lalli and pianist-arranger Gary Chapman, with Allen Forte, pianist-arranger for "Embraceable You" and "Come Rain or Come Shine". Learn about these favorite songs and more:"How Long Has This Been Going On?""What Is This Thing Called Love?""Embraceable You""Autumn in New York""I've Got You Under My Skin""The Nearness of You""That Old Black Magic""Come Rain or Come Shine

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The Cambridge Companion to English Literature, 1500-1600 (Cambridge Companions to Literature) Review

The Cambridge Companion to English Literature, 1500-1600 (Cambridge Companions to Literature)
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For those wanting to delve into Shakespearean or Elizabethan literature, this is an excellent collection by respected scholars in each of the areas described in the Amz synopsis(above). Modern readers cannot imagine what a different significance there was 400 years ago for writing, for drama, for the creation of arts or for the grappling with politics or social policy. Kinney's volume is an excellent launching point for a literary reader to get perspective on the cultural constraints and opportunities that birthed Sidney, Spenser, Shakespeare, Marlowe, Jonson, et al.
If your focus is primarily on Shakespeare, you may do as well to consider some of the other Cambridge Companions" volumes: either "...Companion to Shakespeare" or "...to Shakespeare Studies" or "...to Shakespeare on Stage." (or if pursuing other authors, to... Jonson, Spenser, etc.). In Kinney's volume, however, you find a broader inclusion of the wide-ranging forces impinging on the writing environment of the 1590s. Without having to consult separate volumes on Authorship or 16th century lyric or the patronage system, the reader finds here excellent scholarly surveys of fifteen crucial regions of writerly concern.
The authors' conclusions are generally well referenced through notes (end of each chapter) and provide helpful recommendations for further reading by topic.
Additionally, there are chronologies of the 16th century at the front of the book which help you place literary, social and political in temporal relations to each other. Overall, an excellent investment in your appreciation of the gestation and birth of renaissance English literature.

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This is the first comprehensive account of English Renaissance literature in the context of the culture that shaped it: the courts of Henry VIII and Elizabeth I, the tumult of Catholic and Protestant alliances during the Reformation, the age of printing and of New World discovery. The Companion covers developments in poetry, prose, religious writing, drama, satire and humanism in fourteen newly-commissioned essays, written by experts for student readers. A detailed chronology of major literary achievements concludes with a list of authors and their dates.

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One Day It'll All Make Sense Review

One Day It'll All Make Sense
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While this review might be the kiss of death since I'm probably not the target audience, I have to say I thought this book was terrific. I didn't know much about Common, although I had heard about Fox News coverage of his visits to the White House. When I saw him on the Daily Show last night it became clear that this Common wasn't the same guy that was villified by Fox. Once I started the book, I couldn't put it down. While I probably disagree with most of his politics, the observations he had about fatherhood, responsibility and being a man were universal. I really enjoyed Common's writing style and the juxtapositioning of his Mother's comments throughout the book was priceless. Parts of the book were quite funny (like the story about Common being an ugly baby), but the overriding message of what personal responsibility and a Mother's love can accomplish was extremely inspirational. Common is a man of strong faith, while being open to other religious paths. He admits his mistakes and takes responsibility for them, while recognizing that we can all be better people and have more that should unite us than divide us.

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Common has earned a reputation in the hip hop world as a conscious artist by embracing themes of love and struggle in his songs, and by sharing his own search for knowledge with his listeners. His journey toward understanding—expressed in his music and now in his roles in film and television—is rooted in his relationship with a remarkable woman, his mother, Mahalia Ann Hines.In One Day It'll All Make Sense, Common holds nothing back. He tells what it was like for a boy with big dreams growing up on the South Side of Chicago. He reveals how he almost quit rapping after his first album, Can I Borrow a Dollar?, sold only two thousand copies. He recounts his rise to stardom, giving a behind-the-scenes look into the recording studios, concerts, movie sets, and after-parties of a hip-hop celebrity and movie star. He reflects on his controversial invitation to perform at the White House, a story that grabbed international headlines. And he talks about the challenges of balancing fame, love, and fatherhood.One Day It'll All Make Sense is a gripping memoir, both provocative and funny. Common shares never-before-told stories about his encounters with everyone from Tupac to Biggie, Ice Cube to Lauryn Hill, Barack Obama to Nelson Mandela. Drawing upon his own lyrics for inspiration, he invites the reader to go behind the spotlight to see him as he really is—not just as Common but as Lonnie Rashid Lynn. Each chapter begins with a letter from Common addressed to an important person in his life—from his daughter to his close friend and collaborator Kanye West, from his former love Erykah Badu to you, the reader. Through it all, Common emerges as a man in full. Rapper. Actor. Activist. But also father, son, and friend. Common's story offers a living example of how, no matter what you've gone through, one day it'll all make sense.

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The Animal Boogie Review

The Animal Boogie
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My boys love reading Animal Boogie and my 3 year old often requests to keep it on his bed so he can read it by himself when he wakes up in the morning. Both he and his 16 month old brother love the lyrics and the tune. We have made up motions to go with the words and they love dancing to the book. I was thankful that our copy came with a CD so I could learn the right tune. There is music on the last page, but I had a hard time figuring out the rythym of the last page, so I was thankful for the CD. I think their favorite is the Bear! Shake Shake Boogie Woogie Oogie!! They just giggle, it's so cute!

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First Book of the Recorder (Usborne First Music) Review

First Book of the Recorder (Usborne First Music)
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We love Usborne books but skip this one. The layout is terribly busy and it tries to teach too much at once. After showing you the parts of the recorder and how to hold it, it goes right into playing your first note, writing musical notation ("This sign at the beginning of the staff is called a treble clef."), and playing a rhythm, all before you get to page 10! I could not imagine inroducing my seven-year-old to the recorder using this book. I have a hard time making sense of it (and I'm a college graduate). Get a hold of "Recorder Fun" instead which seems like a good starter text for the recorder.

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Illustrated Treasury of Disney Songs Review

Illustrated Treasury of Disney Songs
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This is a wonderful book of Disney songs. It's easy and it's a lot of fun. Some of the songs are shortened but other than that they're mostly all there. The book goes up to the Aladdin songs. It also gives a history to the music throughout the years of Disney films. There are a few full page illustrations and little ones next to every song title. It's a wonderful book and I recommend it to every Disney song lover.

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Illustrated with full-color stills from the films, this collection of songs from classic Disney movies includes "Heigh-Ho," "The Bare Necessities," "The Ballad of Davy Crockett," "Beauty and the Beast," and many others.

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Christopher Killer: Forensic Mystery 1 Review

Christopher Killer: Forensic Mystery 1
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Want to motivate teens to read instead of playing video games? This book is the answer!!! As a reading tutor for teens with reading disabilities, I recommend The Christopher Killer whole heartedly for everyone! It has every thing that appeals to the CSI enthusiasts in all of us but deals in "real world" family issues with honesty and integrity. Can't wait to read the next one and get all of my students involved.

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Mary Had a Little Lamb Review

Mary Had a Little Lamb
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Don't let the title of this book steer you away from buying it. This is not the sad little poem we remember from our childhood about the lamb following Mary and getting her into trouble.
In this version, Mary's little lamb decides to be independent and wander around the farm by himself. He does get into a bit of trouble, but at the end of the day, Mary is there to clean him up and tuck him into bed.
The poem is funny, cute, and catchy enough to get your toddler's attention, but the real reason to buy this book is the artwork. Every animal has a wonderful, comical expression on his or her face and there are lots of little details to notice. For instance, there are kitty cats in the background of most of the illustrations that my toddler likes to pick out.
The only thing I don't like about this book is that most of the animals - including the lamb - are referred to as "it" rather than "he" or "she." I don't think it's a good idea to refer to living things as "its" to a small child, so when I read this book I insert "he" and "she" where appropriate.

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This expanded version of the traditional rhyme shows what happens when the lamb decides to go off alone. Includes music on the last page.

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The Triumph of Vulgarity: Rock Music in the Mirror of Romanticism Review

The Triumph of Vulgarity: Rock Music in the Mirror of Romanticism
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This is the best single book ever written on the general subject of rock and roll. It is free of the both the sloppy hype of trashy works on popular culture, and the ludicrously inappropriate jargon of high-toned academic treatments of the subject. Pattison demonstrates very convincingly rock's roots in nineteenth-century pantheism, and shows how, to a surprising extent, all of pop music's "rebels" conform to its tenets. The author is clearly a knowledgeable fan of rock but doesn't make outrageous claims for it; he shows amazing taste and discretion. A book as enjoyable and stimulating as it is neglected; I've never seen a reference to it in the rock press or met anyone else who has read it. It's definitely worth the effort to find it.

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Solomon's Song of Love : Let a Song of Songs Inspire Your Own Romantic Story Review

Solomon's Song of Love : Let a Song of Songs Inspire Your Own Romantic Story
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This book is such a remarkable interpretation of the Song of Solomon, intertwined with real and personal stories from the author's life that help lead each new passage into the next. It is a book about true love and all that it involves. The personal glimpses the author gives us add a smile to the writing, without taking away from his original intent of interpreting The Song of Solomon. The true meaning of love and all that it entails with learning, forgiving, complete understanding and simply the gift such a wonder is, comes to life in this book. It is so well written that you can almost feel the heart and soul of the author in his words. While the story of Solomon and his true love are biblically based, this is not a book quoting scripture, and is an excellent read for the believer and non-believer alike. I recommend this book as a way of learning, and realizing, that all of us are ultimately searching for our heart's desire through true love...and that taking a break to read how true it really is just makes it all that much more enjoyable to keep dreaming and searching.

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